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"Milkshake" is a song by American singer Kelis from her third studio album, Tasty (2003). Written and produced by the Neptunes, it was released as the lead single from Tasty in the United States on August 25, 2003, by Star Trak and Arista Records, and internationally on November 24, 2003.
"The Shame of Life" is a song by American alternative rock band Butthole Surfers, from their 2001 album Weird Revolution. The song was released as a CD single in Australia and peaked at #24 on Billboard's Modern Rock Tracks. The chorus was written by Kid Rock, who retains a songwriting credit for the track. [1]
Tasty is the third studio album by American singer Kelis, released on December 5, 2003, by Star Trak Entertainment and Arista Records.As executive producer, Kelis enlisted previous collaborators the Neptunes to produce the album, as well as new collaborators such as Raphael Saadiq, Dallas Austin, André 3000, Rockwilder, and Dame Blackmon "Grease".
youtube-dl is a free and open source software tool for downloading video and audio from YouTube [3] and over 1,000 other video hosting websites. [4] It is released under the Unlicense software license. [5] As of September 2021, youtube-dl is one of the most starred projects on GitHub, with over 100,000 stars. [6]
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A young boy visiting relatives in Pascagoula, Mississippi catches a wild squirrel, which he sneaks into the First Self-Righteous Church during a Sunday service. When the squirrel escapes his box, it heads into the overalls of one of the other parishioners, who jumps in shock and discomfort (thinking "he had a Weed Eater loose in his Fruit of the Looms").
Because of the Squirrel Nut Zippers legal turmoil and the birth of his first child, Maxwell stopped touring from 2000 until 2015. [ 8 ] For several years, Maxwell worked with Mosher, contributing songs and scores for films and television, including season 1 of Lovespring International and the animated film Happily N'ever After .
AllMusic wrote: "Part of the reason [the Zippers] stand apart from the rest of the neo-swing crowd is that they don't forget that there was a bit of menace in the days of hot jazz -- it wasn't a naive, swinging party, there was some genuine hedonism as well."