Search results
Results from the WOW.Com Content Network
Some of the best examples of Afrikaans folklore are stories recorded and written by Minnie Postma, [15] who grew up with and heard these tales told by Sotho people. Using these stories can give effect to a recommendation made by Robinson, [16] namely that the integration of culture in a language programme should be a synthesis between the learner's home culture, the target language's cultural ...
Folklore of Africa. For ancient folklore and myths of Africa, see Category:African mythology. Subcategories.
South African Folklore originates from an oral, historical tradition. [1] It is rooted in the region's landscape [2] with animals [3] – and the animal kingdom – playing a dominant role. [4] Some of the subjects covered include: plant life taking on a human form, women being married to gods, messages being delivered by thunder.
Other Buganda folktales include the story of Walukaga the blacksmith, Mpobe the hunter, and Kasanke the little red bird. [10] [11] Folktales in Buganda are also about hares, leopards, rabbits and other animals that live in the wild and one of the famous folk stories is about wango and wakayima. Wango is a leopard while wakayima is a rabbit.
The English rock band Skunk Anansie (1994–2001, 2009–present) took the name of the spider-man of the West African folk tales, but with a slightly different spelling, and added "Skunk" to the name, to make the name nastier. [52] Children's singer Raffi wrote and recorded the song "Anansi" for his 1979 Corner Grocery Store album. The song ...
West African mythology is the body of myths of the people of West Africa. It consists of tales of various deities, beings, legendary creatures , heroes and folktales from various ethnic groups. Some of these myths traveled across the Atlantic during the period of the Trans-Atlantic slave trade to become part of Caribbean , African-American and ...
Africanist Sigrid Schmidt asserted that the tale type was particularly widespread in Southeast Africa. [9] In fact, according to her studies, the tale type 707, as well as types 706, Maiden Without Hands, and 510, Cinderella, "found a home in Southern Africa for many generations". [10] Schmidt provided the summary of two manuscript tales.
They use their wits to resolve conflict and achieve their goals. Two examples of African-American tricksters are Br’er Rabbit and Anansi. [13] Tricksters in African-American folktales take a comedic approach and contain an underlying theme of inequality, compared to other folktales that label their tricksters as menaces. [13]