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The Indus script, also known as the Harappan script and the Indus Valley Script, is a corpus of symbols produced by the Indus Valley Civilisation.Most inscriptions containing these symbols are extremely short, making it difficult to judge whether or not they constituted a writing system used to record a Harappan language, any of which are yet to be identified. [3]
Early and influential work in the area that set the trend for Hindu interpretations of archaeological evidence from the Harappan sites was that of John Marshall, [8] who in 1931 identified the following as prominent features of the Indus religion: a Great Male God and a Mother Goddess; deification or veneration of animals and plants; a symbolic representation of the phallus and vulva; and, use ...
English: Harappan Earthenware Mask of Horned and Bearded God in National Museum, Delhi (3rd Millennium-2nd Millennium BC) Art of India Crafts of India Pottery of India Religions of India Rituals of India People of India Museums of India New Delhi National Capital Territory India
Miniature votive images or toys from Harappa, c. 2500 BCE, clay figurines of zebu oxen, a cart, and a chicken. The Indus Valley Civilisation [1] (IVC), also known as the Indus Civilisation, was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form from 2600 BCE to 1900 BCE.
The Pashupati seal, showing a seated and possibly tricephalic figure, surrounded by animals; circa 2350–2000 BCE. The Pashupati seal (also Mahayogi seal, [1] Proto-Śiva seal [2] the adjective "so-called" sometimes applied to "Pashupati"), [3] is a steatite seal which was uncovered in Mohenjo-daro, now in modern day Pakistan, a major urban site of the Indus Valley civilisation ("IVC ...
The Indus script (also known as the Harappan script) is a corpus of symbols produced by the Indus Valley civilization, in Harrapa and Kot Diji.Most inscriptions containing these symbols are extremely short, making it difficult to judge whether or not these symbols constituted a script used to record a language, or even symbolise a writing system. [2]
Seyyon (Also known as Murugan) was glorified as "the red god seated on the blue peacock, who is ever young and resplendent", as "the favored god of the Tamils". [47] Shiva was seen as the Supreme God. [47] Early iconography of Murugan [48] and Sivan [49] [50] [51] and their association with native flora and fauna goes back to Indus Valley ...
The Vedic religion was the product of "a composite of the Indo-Aryan and Harappan cultures and civilizations". [61] White (2003) cites three other scholars who "have emphatically demonstrated" that Vedic religion is partially derived from the Indus Valley civilization .