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Guitar strum Play ⓘ: base pattern on open G tuning. Strumming is used to create a chord. Many patterns are created through subtracting beats from this base. Guitar strum Play ⓘ: pattern created by subtracting the second and fifth (of eight) eighth notes from the base, above. Ska stroke [1] Play ⓘ: features dampened staccato upbeat ...
La Pompe. [5] Play ⓘ Gypsy jazz is acoustic music, usually played without a drummer. Rhythm guitar in gypsy jazz uses a special form of strumming known as "la pompe", i.e. "the pump". This form of percussive rhythm is similar to the "boom-chick" in bluegrass styles; it is what gives the music its fast swinging feeling.
Chanking is a guitar performance technique in funk music that involves both "choking" the guitar neck and strumming the strings percussively to create a distinctive-sounding riff commonly associated with the genre. [1] The technique was popularized by the music of James Brown, later spreading to other genres and performers.
The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. [5] It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
Guitar strum, with down and up strums indicated Play ⓘ Flatpicking (or simply picking) is the technique of striking the strings of a guitar with a pick (also called a plectrum) held between the thumb and one or two fingers. It can be contrasted to fingerstyle guitar, which is playing with individual fingers, with or without wearing fingerpicks.
The next beat is a percussive strum, produced by a down stroke, that emphasizes a more "trebly" sound by engaging a fuller range of the strings. Various artists prefer different levels of staccato on beats 1 and 3, and beats 2 and 4, but in general both beats are short, but still voiced to some degree.
A common voicing is the 1–5 perfect fifth (A), to which the octave can be added, 1-5-1 (B). A perfect fourth 5-1 (C) is also a power chord, as it implies the "missing" lower 1 pitch. Either or both of the pitches may be doubled an octave above or below (D is 5-1-5-1), which leads to another common variation, 5-1-5 (not shown).
Classical guitar techniques can be organized broadly into subsections for the right hand, the left hand, and miscellaneous techniques. In guitar, performance elements such as musical dynamics (loudness or softness) and tonal/timbral variation are mostly determined by the hand that physically produces the sound. In other words, the hand that ...
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