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"The Good, the Bad and the Ugly" is the theme to the 1966 film of the same name, which was directed by Sergio Leone.Included on the film soundtrack as "The Good, the Bad and the Ugly (main title)", the instrumental piece was composed by Ennio Morricone, with Bruno Nicolai conducting the orchestra.
The Good, the Bad and the Ugly: Original Motion Picture Soundtrack was released in 1966 alongside the Western film The Good, the Bad and the Ugly, directed by Sergio Leone. The score is composed by frequent Leone collaborator Ennio Morricone , whose distinctive original compositions, containing gunfire, whistling , and yodeling permeate the film.
The Good, the Bad and the Ugly is the last film in the Dollars Trilogy, and thus, does not have an official sequel. However, screenwriter Luciano Vincenzoni stated on numerous occasions that he had written a treatment for a sequel, tentatively titled Il buono, il brutto, il cattivo n. 2 (The Good, the Bad and the Ugly 2). According to ...
The main theme to The Good, the Bad, and the Ugly, also titled "The Good, the Bad and the Ugly", was a hit in 1968 for Hugo Montenegro, whose rendition was a No.2 Billboard pop single in the U.S. and a U.K. No.1 single (for four weeks from mid-November that year). [56]
Bad Girls Club ("Love Me or Hate Me") – Lady Sovereign; Bagdad Cafe ("Calling You") – Jevetta Steele; Banacek – Billy Goldenberg; The Banana Splits ("The Tra La La Song (One Banana, Two Banana)") – Mark Barkan and Ritchie Adams; Bare Essence ("In Finding You I Found Love") – Sarah Vaughan; Barefoot in the Park – Darlene Love and The ...
May God have mercy on his soul. Proceed." (The Good, the Bad and the Ugly; "Known as The Rat" was uttered by Eastwood.) Ennio Morricone's main theme to The Good, The Bad and The Ugly. "Duck, you sucker!" (James Coburn from Duck, You Sucker!) "I don't have to show you any stinkin' badges!" (Alfonso Bedoya from The Treasure of the Sierra Madre)
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Hugo Mario Montenegro (September 2, 1925 – February 6, 1981) [1] was an American orchestra leader and composer of film soundtracks.His best-known work is interpretations of the music from Spaghetti Westerns, especially his cover version of Ennio Morricone's main theme from the 1966 film The Good, the Bad and the Ugly.