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At the residence of physician Bill Stockton, he enjoys a birthday party being thrown for him by his wife Grace and their son Paul. Also at the party are Jerry Harlowe, Bill's brother-in-law; Frank Henderson and Marty Weiss, Bill and Jerry's former college roommates; and the wives and children of Jerry, Frank, and Marty.
Jon Pareles, music critic for The New York Times, gave high praise to McKee's singing and the band's musicianship, but described the album as something of a disappointment in that "the band's songwriting has grown weaker": whereas the songs of the debut album were filled with "down-to-earth details that make country music hit home", those of Shelter "are much vaguer – they're about ...
The Shelter is described as a collection of songs about community, the title of which was taken from the old Irish Proverb "It is in the shelter of each other that the people live." Shelter features appearances from 15 artists including Amy Grant, Derek Webb, Mac Powell, Mike Donehey, Sara Groves, David Crowder, Brandon Heath, and Audrey Assad. [6]
"The Ballad of Mad Dogs and Englishmen" is a song written by Leon Russell from the soundtrack of the 1971 film Mad Dogs & Englishmen. The Shelter People referenced in the album title are the session musicians for Shelter, the label founded by Russell and Denny Cordell in 1969. However, only five of the album's eleven tracks are credited to them.
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Jupiter Sidecar is the second album by the Shelters. Tom Petty (who died in 2017) acted as a sounding board for many of the tracks when they were in their demo stages, including "Strange," "Waiting for Life to Begin," and "Can't Go Home."
Shelter Records was a U.S. record label started by Leon Russell and Denny Cordell that operated from 1969 to 1981. The company established offices in both Los Angeles and Tulsa, Russell's home town, where the label sought to promote a "workshop atmosphere" with a recording studio in a converted church, adjoining houses for artists working at the studio, and other facilities. [1]
"Shelter" is a song by English indie pop band The xx. It is the seventh track on their debut album, xx, and the only track from it that was written and performed without former member Baria Qureshi. The song's lyrics were written by Romy Madley Croft, with the music written by her, Oliver Sim and Jamie Smith, and the song being produced by the ...