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Calypso in the Caribbean includes a range of genres, including benna in Antigua and Barbuda; mento, a style of Jamaican folk music that greatly influenced ska, the precursor to rocksteady, and reggae; spouge, a style of Barbadian popular music; Dominica cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of ...
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
Soca developed in the early 1970s and grew in popularity in the late 1970s. Soca's development as a musical genre included its early fusion of calypso with Indian musical instruments, particularly the dholak, tabla, and dhantal, as demonstrated in Lord Shorty's classic compositions "Ïndrani", "Kalo Gee Bull Bull" and "Shanti Om".
Calypso, with its satirical and socio-political lyrics, was developed in the 18th century as a fusion of African and French music styles. It eventually accompanied the rise of steelpan music. Steelpan were imported to Saint Vincent quickly. Calypso's political lyrics have continued to be an important part of the genre.
Of these, steeldrum and calypso are the most integral parts of modern Antiguan popular music; both styles are imported from the music of Trinidad and Tobago. Little to no musical research has been undertaken on Antigua and Barbuda other than this. As a result, much knowledge on the topic derives from novels, essays and other secondary sources. [1]
This form of music gradually evolved into the modern calypso. Calypso music was developed in Trinidad in the 17th century from the West African Kaiso and canboulay music brought by African slaves imported to that Caribbean island to work on sugar plantations. These enslaved Africans were stripped of all connections to their homeland and family ...
Used in traditional calypso: flute [1] Dominican Republic: 4 Used to accompany upper-class merengue in the later 19th century harmonium [7] Indo-Caribbean: 4 Used in chutney music: kartal [7] Trinidad and Tobago: 4 Harmonium, used in chutney: lambis [5] Haiti: 423.11 Conch shell horn, used for signalling saxophone [3] Garifuna music: 4 Used in ...
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.