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  2. Shout (Black gospel music) - Wikipedia

    en.wikipedia.org/wiki/Shout_(Black_gospel_music)

    In its most standard form, shout music is characterized by very fast tempo, chromatic basslines and piano/organ chords, snare hits and hand claps on the upbeat of each beat. The organist typically plays dominant 7 chords while improvising over riffs, while the pianist typically plays counter rhythms to the established rhythmic structure.

  3. Chorded keyboard - Wikipedia

    en.wikipedia.org/wiki/Chorded_keyboard

    A keyset or chorded keyboard (also called a chorded keyset, chord keyboard or chording keyboard) is a computer input device that allows the user to enter characters or commands formed by pressing several keys together, like playing a "chord" on a piano. The large number of combinations available from a small number of keys allows text or ...

  4. Happy Birthday to You - Wikipedia

    en.wikipedia.org/wiki/Happy_Birthday_to_You

    "Happy Birthday to You", or simply "Happy Birthday", is a song traditionally sung to celebrate a person's birthday. According to the 1998 Guinness World Records , it is the most recognized song in the English language, followed by " For He's a Jolly Good Fellow ".

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  6. Edwin Hawkins - Wikipedia

    en.wikipedia.org/wiki/Edwin_Hawkins

    Hawkins was born in Oakland, California, on August 19, 1943. [1] At the age of seven, he was already the keyboardist for the family's gospel music band. Together with Betty Watson in May 1967, he founded the Northern California State Youth Choir of the Church of God in Christ (COGIC), which included almost fifty members. [2]

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  8. Four-part harmony - Wikipedia

    en.wikipedia.org/wiki/Four-part_harmony

    Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.

  9. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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