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Water transfer printing, also known as immersion printing, water transfer imaging, hydro dipping, watermarbling, cubic printing, Hydrographics, or HydroGraphics, is a method of applying printed designs to three-dimensional surfaces. The resulting combinations may be considered decorative art or applied art. The hydrographic process can be used ...
The technique was essential for adding complex decoration such as the Willow pattern to relatively cheap pottery. In particular, transfer printing brought the price of a matching dinner service low enough for large numbers of people to afford. Apart from pottery, the technique was used on metal, and enamelled metal, and sometimes on wood and ...
Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix ...
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Today intarsia can be made from purchased patterns. To make intarsia from a pattern, first wood is chosen based on color and grain pattern. Next the pattern is transferred onto the wood and individual pieces are precisely cut out on the band saw or scroll saw. The pieces are then sanded individually or in groups to add depth to the piece.
Wood can be rendered in linear silhouettes or more sculptural shapes. Different species of timber, like cherry, oak, or walnut, can result in a completely different color palette.
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The Four Horsemen c. 1496–98 by Albrecht Dürer, depicting the Four Horsemen of the Apocalypse. Woodcut is a relief printing technique in printmaking.An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.
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