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Giasone was the most popular opera of the 17th century. [7] 1651 La Calisto (Cavalli). Ninth of the eleven operas that Cavalli wrote with Faustini is noted for its satire of the deities of classical mythology. [8] 1683 Dido and Aeneas (Henry Purcell). Often considered to be the first genuine English-language operatic masterwork.
His Rusalka, based on the Undine legend, is his most popular work internationally. [44] Jules Massenet (1842–1912) Arguably the most representative French opera composer of his era (the Belle Époque), Massenet was a prolific and versatile writer whose works cover a wide variety of themes. [45]
Lists of operas cover operas, a form of theatre in which music is essential, and the roles are portrayed by singers. There are general lists and lists by theme ...
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Cavalli's operas were performed throughout Italy by touring companies with tremendous success. In fact, his Giasone was the most popular opera of the 17th century, though some critics were appalled at its mixture of tragedy and farce. Cavalli's fame spread throughout Europe.
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Mozart's texts came from a variety of sources, and the early operas were often adaptations of existing works. [b] The first librettist chosen by Mozart himself appears to have been Giambattista Varesco, for Idomeneo in 1781. [9] Five years later, he began his most enduring collaboration, with Lorenzo Da Ponte, his "true phoenix". [10]
Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his "reform" operas in the 1760s. The most renowned figure of late 18th-century opera is Wolfgang Amadeus Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage ...