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These 24 Preludes are based on a seven-note scale consisting of the six notes of the whole–tone scale with the addition of the perfect fourth [254] The sequence includes preludes in D#, G# and A#, which are normally considered theoretical keys as their key signatures include double sharps. Michelle Gorrell [255]
Franz Schubert's Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [2]
The bass note may be specified after a /, for example C/G is a C major chord with a G bass. Where a capo is indicated, there is little standardisation. For example, after capo 3 , most music sheets will write A to indicate a C chord, that is, they give the chord shape rather than its pitch, but some specify it as C, others give two lines ...
A-sharp, A ♯ or A# may refer to: A-sharp major, enharmonic to B-flat major; A-sharp minor; A♯ (musical note), musical pitch; A Sharp (.NET), a port of the Ada programming language to the .NET environment; A Sharp (Axiom), a programming language for the Axiom computer algebra system
Such labeling requires the choice of a "first" note; hence scale-degree labels are not intrinsic to the scale itself, but rather to its modes. For example, if we choose A as tonic, then we can label the notes of the C major scale using A = 1, B = 2, C = 3, and so on. When we do so, we create a new scale called the A minor scale.
This note lies a chromatic semitone above A and a diatonic semitone below B, thus being enharmonic to B ♭ (French: si bémol). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the A ♯ above middle C is approximately 466.164Hz. [1] See pitch (music) for a discussion of historical ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
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