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The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
Churchill China traces its origins back to 1795 and the foundation of its first factory in what later became Stoke-on-Trent in Staffordshire, England. [1] As a manufacturer of the finest ceramic tableware. The company markets products for both the hospitality and retail markets, exporting to countries across the world.
The company was bought by Robert Johnson, Alfred's uncle, for his son Stuart Johnson in 1908, and remained in the Johnson family until 1976, when it became part of Myott-Meakin and later Churchill Group [5] A tile from 1901 is held by the British Museum [4] and a dinner service is held by Canterbury Museum [7] and work is in the National Trust ...
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter . He founded Thomas Minton & Sons in Stoke-on-Trent , Staffordshire , which grew into a major ceramic manufacturing company with an international reputation.
The Willow Pattern may refer to: Willow pattern, a distinctive and elaborate chinoiserie pattern used on ceramic tableware; The Willow Pattern (opera), a comic opera by Basil Hood and Cecil Cook; The Willow Pattern (novel), a 1965 detective novel by Robert van Gulik
"Potter's attendant Ken Russell stacks plates into the drying oven", 1942. J & G Meakin had close family and corporate affiliations to the potteries Johnson Brothers, and Alfred Meakin Ltd, which explains why many patterns are similar, if not almost exactly the same. There was a takeover by J. & G. Meakin in 1968 of Midwinter Pottery.
The W. S. George Pottery Company produced semi-porcelain dinnerware, hotel ware, and toilet wares. At its peak the company was able to produce over 800,000 dozen-piece sets of dinnerware. At its peak the company was able to produce over 800,000 dozen-piece sets of dinnerware.
In the 1860s, British manufacturers began adding agricultural motifs, such as wheat, to their products to appeal to the American market. These patterns became known as "farmers' china" or "threshers' china". Plain white ironstone ware was widely marketed in the United States until the end of the 19th century. [21]
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