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"Nobody Gets Me" is a song by American singer-songwriter SZA and the fourth single from her second studio album, SOS (2022). It was sent to Italian radio on January 6, 2023, and US contemporary hit radio four days later. The song peaked at number 10 on the US Billboard Hot 100, the Canadian Hot 100, and the Official New Zealand Music Chart.
SOS is the second studio album by American singer-songwriter SZA.It was released on December 9, 2022, by Top Dawg Entertainment (TDE) and RCA Records.The album features guest appearances from Don Toliver, Phoebe Bridgers, Travis Scott, and the late Ol' Dirty Bastard.
"Kitchen" is a song by American singer-songwriter SZA.It was released on December 20, 2024, as the eleventh track from Lana (2024), the reissue of SZA's second studio album SOS (2022).
'Come Back to Me'). [50] Hip hop boy band US5 released a cover of "Too Much Heaven" in 2007 as a duet with Robin Gibb. "Too Much Heaven" was their first single with new member Vincent. Norwegian pop duo M2M used the chorus from "Too Much Heaven" in the chorus of their own song "Our Song" which appears on their debut album Shades of Purple. [51 ...
"Ghost in the Machine" is a song by the American singer-songwriter SZA from her second studio album, SOS (2022), featuring the American singer-songwriter Phoebe Bridgers.
"Nobody Knows" is a song by Canadian singer-songwriter Shawn Mendes from his fifth studio album, Shawn (2024). He wrote and produced it along with Eddie Benjamin and Mike Sabath , while Scott Harris was also part of the composition.
"Nobody" is a song by American pop rock band OneRepublic. It was released on April 12, 2024, as the ending theme for the anime Kaiju No. 8 . [ 1 ] [ 2 ] It is included on the deluxe edition of the band's sixth studio album, Artificial Paradise .
Kris Bowers, who scored both the first and second seasons of Bridgerton, also worked on two original soundtrack projects for the series through Sony Music. [3] The first one, Queen Charlotte: A Bridgerton Story (Soundtrack from the Netflix Series), was supervised by Bowers, with co-production by Max Wrightson and co-writing of some tracks by Alec Sievern and Michael Dean Parsons.