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Kurt Moll (11 April 1938 – 5 March 2017) [1] was a German operatic bass singer who enjoyed a widely renowned international career. [2]His voice was notable for its range, a true basso profondo, including full, resonant low and very-low notes with relaxed vibrato; also for its unusual combination of extreme volume-capacity and a purring, contrabassoon-like timbre.
Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
Carl began studying voice in 1975 and went back to Juilliard a year later at age 26 as a singer in their American Opera Center (AOC) professional program. [4] He studied with Nina Hinson, Raymond Buckingham, Dan Merriman, Armen Boyajian, Robin M. Williams, and briefly with Richard Torigi while at the AOC, which ended after just a few lessons when he told Carl, "You have a very ugly voice and ...
The Voice's season 25 live shows are here -- and it's time to vote for your favorite singer!. On Monday, each of the Top 12 singers will take the stage for their first live performances of the ...
NSync performs at the 2000 MTV Video Music Awards in 2000 at Radio City Music Hall in New York. The group's faces are projected onto video screens as the singers stand behind the screens. (Suzanne ...
The term bass was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization. In non-classical ...
High notes, low notes, even a whistle note — Ms. Monét tore through them all, but, as John noted, maybe to the detriment of the song. Exciting performance, if not an altogether cohesive one.
1965: Bass, Bass, Bass (re-issued in 1975 as the Stamps Quartet Present Their Dynamic Bass) 1968: The Many Moods of the Illustrious J. D. Sumner; 1969: The Heart of a Man (re-issued in 1982 as The Masters V Present Their Majestic Bass, J. D. Sumner) 1972: The Way It Sounds Down Low; 1984: Thank God for Kids; 1985: An American Trilogy