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Carved lacquer or Qidiao (Chinese: 漆雕) is a distinctive Chinese form of decorated lacquerware. While lacquer has been used in China for at least 3,000 years, [ 1 ] the technique of carving into very thick coatings of it appears to have been developed in the 12th century CE.
The term "Japanning" in the 17th century is a term for the technique used by Europe to emulate Asian lacquer, derived from the then famous Japanese lacquer. The general characteristic of Japanese lacquerware is the widespread use of various Maki-e techniques compared to other countries. As a result, there are many works in which relatively ...
The earliest extant lacquer object, a red wooden bowl, [2] was unearthed at a Hemudu culture (c. 5000–4500 BCE) site. [3] By the Han dynasty (206 BCE – 220 CE), many centers of lacquer production had become established. [1] The knowledge of the Chinese methods focusing on the lacquer process spread from China during the Han, Tang, and Song ...
A Chinese six-pointed tray, red lacquer over wood, from the Song dynasty (960–1279), 12th–13th century, Metropolitan Museum of Art. Urushiol-based lacquers differ from most others, being slow-drying, and set by oxidation and polymerization, rather than by evaporation alone. The active ingredient of the resin is urushiol, a mixture of ...
A Chinese "cinnabar red" carved lacquer box from the Qing dynasty (1736–1795), National Museum of China, Beijing Vermilion (sometimes vermillion ) [ 1 ] is a color family and pigment most often used between antiquity and the 19th century from the powdered mineral cinnabar (a form of mercury sulfide ).
The origin of Qinhuai lantern colour can be traced back to the Eastern Wu period, it draws on the traditional Chinese paper tie, painting, calligraphy, paper cutting, shadow puppetry, embroidery, sculpture and other arts, in the production of integrated carpentry, lacquer, painting, carving, clay sculpture, knotting and many other technical means.
Consequently, "lacquer painting" is in part a misnomer, since the bringing out of the colours is not done in the preparatory painting but in the burnishing of the lacquer layers to reveal the desired image beneath. [3] Therefore, lacquer painting is considered a "subtracting method" of drawing technique.
Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.