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The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.The literature of the Renaissance was written within the general movement of the Renaissance, which arose in 14th-century Italy and continued until the mid-17th century in England while being diffused into the rest of the western world. [1]
Renaissance – cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era , but since the changes of the Renaissance were not uniform across Europe, this is a general use of the term.
The nature of the Renaissance also changed in the late 15th century. The Renaissance ideal was fully adopted by the ruling classes and the aristocracy. In the early Renaissance artists were seen as craftsmen with little prestige or recognition. By the later Renaissance, the top figures wielded great influence and could charge great fees.
The 16th century in France was a remarkable period of literary creation (the language of this period is called Middle French).The use of the printing press (aiding the diffusion of works by ancient Latin and Greek authors; the printing press was introduced in 1470 in Paris, and in 1473 in Lyon), the development of Renaissance humanism and Neoplatonism, and the discovery (through the wars in ...
The Discarded Image: An Introduction to Medieval and Renaissance Literature is a non-fiction book by C. S. Lewis. It was his last book and deals with medieval cosmology and the Ptolemaic universe. It portrays the medieval conception of a "model" of the world, which Lewis described as "the medieval synthesis itself, the whole organization of ...
Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]
In the late 16th century, as the Renaissance era closes, an extremely manneristic style develops. In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism (as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo). The term mannerism derives from art history.