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The Argand lamp was introduced to Thomas Jefferson in Paris in 1784 and according to him gave off "a light equal to six or eight candles." [ 4 ] These new lamps, much more complex and costly than the previous primitive oil lamps, were first adopted by the wealthy, but soon spread to the middle classes and eventually the less well-off as well.
Plique-à-jour (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel.
Today, torchère lamps use fluorescent, halogen, or LED light bulbs. Adjusting the pulse-width modulation in the electronic ballast can allow the fluorescent torchères to be dimmed. Halogen torchères usually came with a simple switch. Some more expensive models have a TRIAC dimmer circuit built into the stem. Early lamps with 300W bulbs ...
During the 19th century, the collectors' market for antique fine china was considerable, and Samson’s firm reproduced ceramics in a breadth of styles including the faience and maiolica types of Italian pottery, Persian style dishes, Hispano-Moresque pottery (a blending of Islamic and European motifs, produced during the 13th to 15th centuries ...
It was designed to stand against a wall, and appeared in about 1750. It often featured a marquetry in a geometric pattern resembling cubes of dark and light wood, a design very popular in the last years of the Louis XV period. The Bonheur-du-jour was a small desk with cabinet which appeared in about 1760. Following the new style of the late ...
Chantilly porcelain is French soft-paste porcelain produced between 1730 and 1800 by the manufactory of Chantilly in Oise, France. The wares are usually divided into three periods, 1730–1751, 1751–1760, and a gradual decline from 1760 to 1800. The factory made table and tea wares, small vases, and some figures, these all of Orientals.
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