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No Mercy, No Remorse is the second studio album by American rapper RBX, released June 29, 1999 on Street Solid Records. It was produced entirely by Polarbear. It was produced entirely by Polarbear. The album features guest appearances by Treach of Naughty By Nature and Swedish hip hop group, Infinite Mass .
BPM (band), an American band; BPM (Beats per Minute), a 2017 French film; BPM, an American magazine; BPM (Sirius XM), a satellite radio channel; Beats Per Minute, a New York-based publication; BPM, by Salvador Sobral, 2021; B.P.M., a B-side to "I Believe In You" by Kylie Minogue, 2004; Ball Park Music, an Australian indie rock band
No Remorse (band), a British neo-Nazi rock band formed in 1986; No Remorse Records, a German heavy metal record label; No Remorse (Motörhead album), 1984; No Remorse (Tokyo Blade album), 1989 "No Remorse", a song by Metallica from Kill 'Em All, 1983 "No Remorse (I Wanna Die)", a song by Slayer and Atari Teenage Riot from the Spawn soundtrack ...
A 240 bpm track, for example, matches the beat of a 120 bpm track without slowing down or speeding up, because both have an underlying tempo of 120 quarter notes per minute. Thus, some soul music (around 75–90 bpm) mixes well with a drum and bass beat (from 150 to 185 bpm).
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The song also appeared on several other charts in the US, including two terms at number one on the Modern Rock Tracks chart (now the Alternative Songs chart). During its second term at number one on the Modern Rock Tracks chart, "Regret" also topped the Hot Dance Music/Club Play chart on the strength of its remixes. At the end of 1993, the song ...
No Remorse may offer 29 versions of what is essentially the same thing, yet every track is singularly amazing: the yelping, bad luck refrain to "Ace of Spades," the locomotive thunder beneath "Overkill," the live-wire guitar on "Bomber," the genius stupidity of "Killed by Death," or the amphetamine overdrive of the live "Motorhead" from No ...
When writing "Hide and Seek", Jones was inspired by the work of Alan Watts, particularly on his views of life and death.Jones recalled reading a book from Watts that discussed the concept of explaining a the concept of God to a child from the paradigm of Eastern philosophy.