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The Parable of the Unjust Steward or Parable of the Penitent Steward is a parable of Jesus which appears in Luke 16:1–13.In it, a steward who is about to be fired tries to "curry favor" with his master's debtors by remitting some of their debts. [1]
Luke 18:1–8 The Rich Fool: Luke 12:16–21 Dives and Lazarus: Luke 16:19–31 The Great Supper: Luke 14:15–24 The Prodigal Son: Luke 15:11–32 The Unjust Steward: Luke 16:1–9 The Unprofitable Servants: Luke 17:7–10 The Pharisee and the Publican: Luke 18:9–14
Luke 16 is the sixteenth chapter of the Gospel of Luke in the New Testament of the Christian Bible. It records the teachings and parables of Jesus Christ, including the account of the "rich man and Lazarus". [1] There is an "overriding concern with riches" in this chapter, although other topics are also covered. [2]
[14] [15] [16] These are usually bracketed by two other episodes: his Nativity at the beginning and the sending of the Paraclete at the end. [14] [16] The gospel accounts of the teachings of Jesus are often presented in terms of specific categories involving his "works and words", e.g. his ministry, parables and miracles.
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
The Society for the Arts, Religion, and Contemporary Culture, or ARC, was founded in October 1961 by three people: Alfred Barr, the art critic and founder of the Museum of Modern Art, the theologian Paul Tillich, and Marvin Halverson, an American Protestant theologian sometime of the Chicago Theological Seminary and the author of a 1951 booklet, Great Religious Paintings. [1]
Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well. The picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much ...
Cornelius a Lapide in his great commentary [11] gives the traditional interpretation of this parable, writing that: "Christ shows by a threefold similitude, that His disciples must not fast when He was present. 1. By the parable of the Spouse and the wedding. 2. Of the old and new garment. 3. Of the new wine, and the old bottles of skin.