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Strié is a simple technique that can be altered and elaborated in many ways. It can be done on its own, with the streaks directed either vertically or horizontally. It can be brushed over a raised plaster stencil. It is also very popular to overlap a horizontal and vertical strié, creating the look of fabrics such as linen or denim.
There are some regional differences, but the techniques described here cover the traditional wall paintings across this area. The wall paintings were executed on earthen plaster with the secco-technique. [1] A secco-technique is a painting technique in which the pigments with their binder are employed to paint onto a dry (Italian: secco) wall.
The sometimes detailed artwork were often painted over within hours or days. On the Western side the Wall was not protected, so everybody could paint on the Wall. After the fall of the Berlin Wall in 1989, the Eastern side of the Wall became also a popular "canvas" for many mural and graffiti artists.
Roughcast or pebbledash is a coarse plaster surface used on outside walls that consists of lime and sometimes cement mixed with sand, small gravel and often pebbles or shells. [1] The materials are mixed into a slurry and are then thrown at the working surface with a trowel or scoop.
a white khakaa stencil is placed upon the section of the plastered wall and the coal powder is spread on the stenciled wall, creating a pattern for the muralist to work upon [4] colours are implanted within the lime-based plaster using a nehla (small wooden-handled trowel) but the plaster must remain wet to successfully do so [ 4 ]
The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.
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