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An approximately correct exposure will be obtained on a sunny day using ISO 100 film, an aperture of f /16 and a shutter speed of 1/100 of a second. This is called the sunny 16 rule: at an aperture of f /16 on a sunny day, a suitable shutter speed will be one over the film speed (or closest equivalent).
remove the misunderstanding: there is no brighter and darker in an exposure triangle. the entire point is that if any one point in your triangle correponds to a correct metering, you can move to any other part and your metering will still be correct: 04:05, 31 August 2017: 512 × 461 (165 KB) WClarke: add 800 ISO and changed aperture values
On a sunny day at ISO 400 and aperture at f /16, set shutter speed to 1 / 400 or 1 / 500 . Shutter speeds can be changed as long as the f-number is adjusted accordingly, e.g. 1 / 250 second at f /11 gives equivalent exposure to 1 / 125 second at f /16. Exposure adjustments are done in a manner that retains the EV ...
A tight shutter angle will constrict motion blur. A wide shutter angle will allow it. A 180° shutter angle is considered normal. So for instance, at 24 fps the frame interval value is 0.04167 second ( = 1 ⁄ 24). Using an exposure time of 1 ⁄ 50 second gives a shutter angle value of 173°, very close to 180° (normal motion blur effect).
A central shutter is not a type of shutter as such, but describes the position of the shutter: it is typically a leaf shutter (or simple leaf shutter), and located within the lens assembly where a relatively small opening allows light to cover the entire image. Leaf shutters can also be located behind, but near, the lens, allowing lens ...
The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line ; breaking the 180-degree rule by shooting on all sides is known as shooting in the round .
Focal-plane shutters may also produce image distortion of very fast-moving objects or when panned rapidly, as described in the Rolling shutter article. A large relative difference between a slow wipe speed and a narrow curtain slit results in distortion because one side of the frame is exposed at a noticeably later instant than the other and the object's interim movement is imaged.
The golden triangle rule is a rule of thumb in visual composition for photographs or paintings, especially those which have elements that follow diagonal lines. The frame is divided into four triangles of two different sizes, done by drawing one diagonal from one corner to another, and then two lines from the other corners, touching the first ...