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Allusion. Allusion (/ əˈluʒən /; adj. allusive / əˈlusɪv /) is a figure of speech, in which an object or circumstance from an unrelated context is referred to covertly or indirectly. [1][2] It is left to the audience to make a direct connection. [3] Where the connection is directly and explicitly stated (as opposed to indirectly implied ...
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as". A simile is a comparison used to attract the reader's attention and describe something in descriptive terms. Example: "From up here on the fourteenth floor, my brother Charley looks like an insect scurrying among other insects."
The use of figurative language as a poetic device function to convey the poet's intended meaning in various ways. Allusion–A brief reference to a person, character, historical event, work of art, and Biblical or mythological situation. Analogy–Drawing a comparison or inference between two situations to convey the poet's message more ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1][2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. [3] One of the most commonly cited examples of a metaphor in English literature comes from the " All the world's a stage " monologue from As You Like It :
t. e. Literal and figurative language is a distinction that exists in all natural languages; it is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings: their denotation.
Idiom. An idiom is a phrase or expression that largely or exclusively carries a figurative or non-literal meaning, rather than making any literal sense. Categorized as formulaic language, an idiomatic expression's meaning is different from the literal meanings of each word inside it. [1]
While a horse figures in some allusions by later writers, the ox is the preferred beast in Renaissance emblem books. It appears as such in a Latin poem by Hieronymus Osius (1564), although the accompanying illustration shows both an ox and an ass and the dog there, as in Steinhöwel, carries a bone clenched between its teeth. [ 9 ]
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