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Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally Almighty ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine art ...
The word is derived from the Greek words παντός (pantos) meaning all and κράτος (kratos), meaning power and dominion. The word Pantocrator defines Christ as the ruler and judge of heaven and earth. [6] The earliest known depiction of Christ as Christ Pantocrator (Sinai) was painted during the 6th century. The work of art is part of ...
Icon of the Deesis – St. Catherine's Monastery Sinai, 12th century Great Deesis with Prophets; 16th century; Walters Art Museum In Byzantine art, and in later Eastern Orthodox iconography generally, the Deësis or Deisis (/ d eɪ ˈ iː s ɪ s /, day-EE-siss; Greek: δέησις, "prayer" or "supplication") is a traditional iconic representation of Christ in Majesty or Christ Pantocrator ...
The oldest surviving icon of Christ Pantocrator, encaustic on panel, c. 6th century (Saint Catherine's Monastery, Mount Sinai) During this period the church began to discourage all non-religious human images—the Emperor and donor figures counting as religious.
Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) [1] is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context.
Typically, to the right of the Beautiful Gate (as viewed from the nave) is the icon of Christ, then the icon of St. John the Baptist; to the left the icon of the Theotokos, always shown holding Christ; and then the icon of the saint to whom the church is dedicated (i.e., the patron). There are often other icons on the iconostasis, but these ...
Icon of Christ Pantocrator with enamelled riza, and jewelled halo (venets) and collar (Bob Jones University Museum and Gallery). Russians often commissioned icons for private use, adding figures of specific saints for whom they or members of their family were named gathered around the icon's central figure.
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