Search results
Results from the WOW.Com Content Network
1984: Beowulf: adapted for live performance by the founding members of Theatre in the Ground. [33] 1990s Beowulf one-man shows in modern English by Julian Glover [34] 1993. Beowulf, op. 17, chamber opera (or dramatic cantata) in one act for a chorus of young voices, light soprano, light tenor and baritone soli, by Richard Lambert. [35]
This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
Beowulf relates the exploits of the hero Beowulf, King of the Weder-Geats or Angles, around the middle of the 5th century. The author is unknown, and no mention of Britain occurs. Scholars are divided over the date of the present text, with hypotheses ranging from the 8th to the 11th centuries.
Beowulf (/ ˈ b eɪ ə w ʊ l f /; [1] Old English: Bēowulf [ˈbeːowuɫf]) is an Old English epic poem in the tradition of Germanic heroic legend consisting of 3,182 alliterative lines. It is one of the most important and most often translated works of Old English literature.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
Beowulf: A New Verse Translation (also known as Heaneywulf [1]) is a verse translation of the Old English epic poem Beowulf into modern English by the Irish poet and playwright Seamus Heaney. It was published in 1999 by Farrar, Straus, and Giroux and Faber and Faber , and won that year's Whitbread Book of the Year Award .
Some of these fundamental rules varied in certain traditions over time. For example, in Old English alliterative verse, in some lines the second but not the first lift in the a-verse alliterated with the first lift in the b-verse, for instance line 38 of Beowulf (ne hyrde ic cymlicor ceol gegyrwan). [40]
Old English audiences, too, were comfortable with the use of many inexact synonyms to provide varying sounds to suit the alliterative scheme, without necessarily adding much to the meaning of the poem; Liuzza gives the example of "king", which might for example be rendered cyning, dryhten, hyrde, ræswa, sigedryhten, þeodcyning, weard, or wine ...