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A frame story (also known as a frame tale, frame narrative, sandwich narrative, or intercalation) is a literary technique that serves as a companion piece to a story within a story, where an introductory or main narrative sets the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers ...
The literary device of stories within a story dates back to a device known as a "frame story", where a supplemental story is used to help tell the main story.Typically, the outer story or "frame" does not have much matter, and most of the work consists of one or more complete stories told by one or more storytellers.
A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Articles relating to frame stories, a literary technique that serves as a companion piece to a story within a story, where an introductory or main narrative sets the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers from a first story into one or more other stories within it.
A historic photograph of an A-frame sod roof house in the Netherlands. Image: Cultural Heritage Agency of the Netherlands 20309407 - RCE. An A-frame building is an architectural style [1] of building that features steeply-angled sides (roofline) that usually begin at or near the foundation line, and meet at the top in the shape of the letter A ...
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In Western art history, mise en abyme (French pronunciation: [miz ɑ̃n‿abim]; also mise en abîme) is the technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the story within a story technique.