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Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1]The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.
In their study, Mora, Mora, and Philippot cite four reasons for the "over-use" of detachment: the 19th-century division of the arts that privileged a "painting" divorced from its architectural and historical context; insensitivity to the aesthetic consequences, often partially concealed by restorers; the curiosity of art historians looking for sinopie; or perceived savings relating to the ...
Fire & Ice – Example of a painting made with the technique decalcomania. Decalcomania (from French: décalcomanie) is a decorative technique by which engravings and prints may be transferred to pottery or other materials. A shortened version of the term is used for a mass-produced commodity, art transfer, or product label, known as a "decal".
The current canvas would then be trimmed down or removed entirely so that a new, larger one may be applied. [6] If the painting was in a state that did not necessitate an entirely new canvas, the conservator or restoration specialist would move on to the step of adhesive application.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
The slow process of transferring the murals onto canvas began in 1874. The walls of the villa had been covered in wallpaper and Goya had painted on top of this layer which was carefully removed and reapplied to canvas.
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