Search results
Results from the WOW.Com Content Network
The audience design framework distinguishes between several kinds of audience types based on three criteria from the perspective of the speaker: known (whether an addressee is known to be part of a speech context), ratified (the speaker acknowledges the listener's presence in the speech context), or addressed (the listener is directly spoken to).
Audience design model The audience design model is very similar to communication accommodation theory with an added component: the audience design model proposes the existence of nonpresent reference groups, with which a speaker may converge or diverge. [21]
Audience theory offers explanations of how people encounter media, how they use it, and how it affects them. Although the concept of an audience predates modern media, [1] most audience theory is concerned with people’s relationship to various forms of media. There is no single theory of audience, but a range of explanatory frameworks.
Since the early days of cultural studies-oriented interest in processes of audience meaning-making, the scholarly discussion about "readings" has leaned on two sets of polar opposites that have been invoked to explain the differences between the meaning supposedly encoded into and now residing in the media text and the meanings actualized by audiences from that text.
Audience analysis is a task that is often performed by technical writers in a project's early stages. It consists of assessing the audience to make sure the information provided to them is at the appropriate level. The audience is often referred to as the end-user, and all
The lighting design highlighted the loud/quiet contrast of her songs: vivid lasers against fuzzy VHS footage for “CHIHIRO,” cold, black-and-white horror imagery against intense, actual flames ...
The dramatic elevation gain — which came after the pilot failed to make a turn following takeoff — likely prevented the plane from slamming into the Koʻolau mountain range on the island of ...
Design [ edit ] There are many practical implications for the actor performing on a traverse stage, such as the need for greater projection of voice (when the actor faces one audience, they turn their back to the other) and to make sure that every action is visible to both sides of the audience.