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While Daredevil had been home to the work of comic-book artists such as Everett, Kirby, Wally Wood, John Romita Sr., Gene Colan, and Joe Quesada, among others, Frank Miller's influential tenure on the title in the early 1980s cemented the character as a popular and influential part of the Marvel Universe.
Daredevil #1/2 (17 page comic published within Wizard #96, Aug. 1999) Daredevil: Ninja #1–3 (Dec. 2000 – May 2001) by Brian Michael Bendis and Rob Haynes; Daredevil: Yellow #1–6 (Aug. 2001 – Jan. 2002) by Jeph Loeb and Tim Sale; Ultimate Daredevil and Elektra #1–4 (October 2002 – February 2003) by Greg Rucka and Salvador Larocca
Like other comic books influenced by film noir, Daredevil comics often depict modern urban society as highly corrupt, with no trustworthy authority. The comics frequently present a crisis of authority in which Daredevil or various antagonists, such as Kingpin, attempt to achieve a position of sovereignty in order to enforce some kind of ...
Download as PDF; Printable version; In other projects ... move to sidebar hide. Help. Pages in category "Daredevil (Marvel Comics) titles" The following 12 pages are ...
This original Daredevil was created by Jack Binder for an eight-page backup feature in Lev Gleason Publications' Silver Streak Comics #6 (Sept. 1940). [4] Upon his partial revamping in the issue following his debut, only Hill's identity, spiked belt, and the boomerang remained; the mute angle was dropped without explanation, and his original symmetrically divided bodysuit of pale yellow and ...
Starting with issue #70 (January 1951), he disappeared completely; the book was still called Daredevil Comics, but only the Little Wise Guys remained. [4] The titular star briefly reappeared in issues #79 and 80, but that was the end of him. Daredevil Comics ended with issue #134 (Sept. 1956), and the Little Wise Guys vanished along with it.
"Guardian Devil" is an eight-issue Daredevil story arc originally published by Marvel Comics in Daredevil (vol. 2) #1-8. It features the hero suddenly caring for an infant that may be either the Messiah or the Antichrist.
The comic has received mostly positive reviews since publication. [1] In 2014, Comic Book Resources' Mark Ginocchio said the series had a strong reputation, adding that it was "so well-composed and filled with wonderfully nuanced scenes" it was hard to believe it came from the early 1990s, [2] a period regarded by fans as a creative low point for the comic book industry.
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