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Composite capital with acanthus leaves. The acanthus (Ancient Greek: ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration in the architectural tradition emanating from Greece and Rome. [1]
Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
Some popular trees commonly used as fall decor are Japanese maple, birch, beech, and various fruit trees. Shrubs can provide colorful leaves just like trees, but can also serve as a more visually ...
Topiary is the horticultural practice of training perennial plants by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, [1] whether geometric or fanciful. The term also refers to plants which have been shaped in this way. As an art form it is a type of living sculpture.
Hedera helix is an evergreen climbing plant, growing to 20–30 m (66–98 ft) high where suitable surfaces (trees, cliffs, walls) are available, and also growing as groundcover where no vertical surfaces occur. It climbs by means of aerial rootlets with matted pads which cling strongly to the substrate.
[citation needed] Their ornament takes the forms of the natural world in that climate, decorating the capitals of columns and walls with images of papyrus and palm trees. Assyrian culture produced ornament which shows influence from Egyptian sources and a number of original themes, including figures of plants and animals of the region.
Two of my favorite spring plants, almost entirely based upon their progression from bud to leaf, are beech trees and false hellebore. Two of my favorite spring plants, almost entirely based upon ...
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original.
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