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The obi-age has the dual purpose of hiding the obi-makura and providing a colour contrast against the obi. Obi-age are often silk, and are typically worn with more formal varieties of kimono. Obi-age can be plain-dyed silk, but are often decorated with shibori tie-dyeing; for maiko, obi-age are only ever red with a gold or silver foil design.
Despite the kimono having been at one point and continuing to appear to be held shut by the obi, many modern obi are too wide and stiff to function in this way, with a series of ties known as koshihimo, worn underneath the obi, used to keep the kimono closed instead. Obi are categorised by their design, formality, material, and use, and can be ...
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
It also featured an obi (belt), though unlike modern version, this was little more than a thin, cordlike length of fabric. The number of layers, and the type of layers, could alter the formality of a jūnihitoe outfit, with some accessories, such as overcoats and a long, skirt-like train (known as the mō ) only worn for special, formal occasions.
Hakata-ori traces its history back to 1235 CE (Kamakura period Japan), when a Japanese merchant from Fukuoka Prefecture, Mitsuda Yazaemon, travelled to Song dynasty China with the Buddhist monk Shoichi Kokushi [8] [9] [10] to learn Song-period trades and traditions, such as the making of manjū (traditional Japanese cakes), ceramic production techniques, gold leaf, [vague], the production of ...
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