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Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
The Francois Vase, in the collection of the National Archaeological Museum in Florence, Italy, is a large Attic volute krater, which is both a superb example of black-figure pottery from c. 570–560 BCE, as well as an example of extensive conservation work. The vase was discovered in a tomb in 1844.
The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique. Styles such as West Slope Ware were characteristic of the subsequent Hellenistic period , which saw vase painting's decline.
The Suicide of Ajax Vase by the Black-Figure master Exekias depicts the suicide of Ajax is a neck amphora, painted in the black-figure style. It is now in the Château-musée de Boulogne-sur-Mer in France. The painter, Exekias, made this work in Athens at the end of the Archaic Period, around 540-530 BCE.
This Attic amphora is painted in the black figure style, typical of all Panathenaic amphorae. [2] Stemming from Proto-Corinthian roots, black-figure style includes incised details with silhouetted figures on a glossy vase. The silhouetted figures are the men in the stadion who are nude, bearded, and muscular.
Attic black-figure volute krater, known as the François vase, ca. 570-565 BCE. The François Vase, (or François Krater), is a large Attic volute krater decorated in the black-figure style. It stands at 66 centimetres (26 in) in height and was inspired by earlier bronze vases. It was used for wine.
As a bilingual vase, it is an important archaeological source for the transition from attic black-figure pottery to the red-figure style. Bilingual vases are uncommon, and ones that repeat the same subject in the two styles are vanishingly rare; the vase is therefore very often used to illustrate the differences between the two techniques.
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
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