Search results
Results from the WOW.Com Content Network
Randolph then sexually assaults Belle, which is witnessed by Lavelle. On the lam, Jacqueline and Maggie attempt a bank robbery, but a gang of male robbers have beaten them to it. Officers arrive outside the bank, and the women escape. Jacqueline decides to return to the prison to free the other inmates. Maggie initially resist, but changes her ...
Chained Heat (alternate title: Das Frauenlager in West Germany) is a 1983 American-West German exploitation film in the women-in-prison genre. It was co-written and directed by Paul Nicholas (as Paul Nicolas) for Jensen Farley Pictures. [3] Producer was Paul Fine, who had previously produced The Concrete Jungle.
In the new prison, she reunites with an old friend Shadow (LaTanya Hagans). She meets new inmates, such as Leisha (Medusa), an aspiring rapper, and Doodle , a religious, homophobic woman who is involved with a male correctional officer. When Treasure asks about Brownie, Leisha responds, "I'm about getting up out of here.
Women in Cages; Women in Cell Block 7; Women in Cellblock 9; Women in Chains; Women of Devil's Island; Women Prison; Women Without Men (1956 film) Women Without Names (1940 film) Women's Prison (1955 film) Women's Prison Massacre
The authority figure of the prison is usually a cruel woman who herself is a variation of the traditional prison lesbian. [4] Common scenes in women in prison films may include: An innocent girl (or group) being sent to a penitentiary or reform school run by a male or lesbian warden (who may also run an inmate prostitution ring, as in Chained Heat)
More than 130 women who were formerly inmates at prisons for women in California have filed suit, saying guards sexually abused them. 'Every woman's worst nightmare': Lawsuit alleges widespread ...
Bare Behind Bars (released in Brazil as A Prisão) is a 1980 sexploitation film directed and written by Oswaldo de Oliveira., [1] The film, which was intended as a spoof of the common "women in prison" genre, stars Maria Stella Splendore, Marta Anderson and Danielle Ferrite. [2]
The film combines the typical themes of women in prison film with those of science fiction. The women's prison is depicted as a Soviet-style gulag . The film was the topic of a political controversy in 1992, when Senator Jesse Helms cited it as an example of indecent films that should not be broadcast by cable channels .