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Cosmatesque screen at the Basilica di San Giovanni in Laterano.Some works of Deodatus di Cosma for Colonna family are housed in the basilica.. Cosmatesque, or Cosmati, is a style of geometric decorative inlay stonework typical of the architecture of Medieval Italy, and especially of Rome and its surroundings.
Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi , has medieval parallels in Central Italian " Cosmati "-work of inlaid marble floors, altars and columns.
The master bath has 20-foot-high ceilings, a Jacuzzi tub framed by two large windows and a wall mirror, solid cherry and marble vanity, a large steam shower, and a solid-cherry spiral staircase, which leads up to an exercise/yoga gallery. The third floor has a large opel suite, [clarification needed] a large open entertainment area, and a very ...
The ballroom was the largest room of the house, spanning the entire rear of the house and rising four stories to the roof. It doubled as the art gallery; the satin-paneled walls were hung with Astor's famed art collection, while the marble herringbone floors were covered with four massive Oriental rugs and sixteen long narrow Persian rugs, all red.
Bands, panels and shaped reserves of intricate mosaic alternate with contrasting bands, guilloches and simple geometric shapes of plain white marble. Pavements and revetments were executed in Cosmatesque technique, columns were inlaid with fillets and bands, and immovable church furnishings like cathedras and ambones were similarly treated.
Creed described the final work as a "microcosm of the whole world – stepping on the different marble steps is like walking through the world." [ 5 ] Marble floors have become a recurring motif in Creed's works, including Work No. 1051 (2013, Museo Jumex , Mexico City ) and Work No. 1347 (2012, sketch restaurant , London ).
Sabatini's original idea was to frame the Plaza de la Armería with a series of galleries and arcades, to accommodate various dependencies [clarification needed], by constructing two wings along the square. Only the extension of the southeast tower known as la de San Gil was completed. Sabatini also planned to extend the north side with a large ...
Customer areas were unified by mahogany-clad pillars, consistent marble flooring, and brass; the screened-off production areas were finished in exposed concrete. Two sets of stairs and two elevator shafts served the upper floors, including apprentice instruction and a private vocational school which shared the top floor.
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