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Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002, p. 232, the work is correctly called Solfeggio, but the author provides no evidence for this. Thomas Owens refers to the work as a toccata. [2]
4 time; 2) A ♭ dorian, in 2 4; 3) B ♭ minor, in 3 4; and 4) D ♭, in 3 4. The piece features two interrelated musical processes: the building up of a duplicate of a preexisting pattern played by the marimbas and the glockenspiels, and the augmenting (lengthening of the duration of notes) of repeated chord cadences of the women's voices and ...
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens.While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities.
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
Mitchell Thomas Peters (August 17, 1935 – October 28, 2017) was a principal timpanist and percussionist with the Los Angeles Philharmonic Orchestra. He composed well-known pieces for the marimba such as "Yellow After the Rain" and "Sea Refractions"; it is said that these works were composed because Peters felt that there was a lack of musically interesting material that would introduce his ...
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Leigh Howard Stevens (born March 9, 1953, in Orange, New Jersey [1]) is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.
Mallet Quartet is a composition by Steve Reich scored for two marimbas and two vibraphones, or for four marimbas. It was co-commissioned by the Amadinda Quartet in Budapest , on the occasion of its 25th anniversary, by Nexus in Toronto, So Percussion in New York, and Synergy Percussion in Australia.