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"Lovesong" (sometimes written as "Love Song") is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on ...
Standing out from BigBang's usual "heavily produced electronic dance tracks", [2] "Love Song" is pop-rock ballad [1] that was compared to Coldplay's early material. An English version was later released on BIGBANG's second Japanese mini-album With U. [3] The single "utilizes building strings and overlapping vocals to create an uplifting tone despite the otherwise depressing lyrics" [2] and ...
The song is composed in the key of F minor and is set in time signature of common time with a tempo of 120 beats per minute. [10] The first part of the song, "LoveStoned", starts off to "a boast" and the interlude "I Think She Knows" transitions into "an adoring two-minute love song about someone special". [7]
Here's exactly what that buzzing sound could be telling you.
"Both Ends Burning" is a single by English rock band Roxy Music taken from their 1975 album Siren. Written by Bryan Ferry, the song features lyrics inspired by the pressure felt by the band to complete the Siren album as well as keep up their touring obligations. Ferry's struggles in writing the lyrics for the song meant that the band largely ...
The song is composed by Del Rey and Justin Parker, co-author of the bulk of Born to Die. "Burning Desire" is a tragically-themed love song, with the lyrics: "I drive fast, wind in my hair/ I push it to the limits/ 'Cause I just don't care". [7] [8] Breathless pants and groans begin the track. [9] On writing the song, Del Rey said:
Another remix version of the song, re-titled "Just Burnin'" and produced by Just Blaze, featured vocals from P. Diddy and Freeway. Elliott, Diddy and Freeway all appeared alongside Evans in the music video for "Burnin Up'" which was filmed in a club on Hollywood and Vine. It became the last single from the album to chart on the Billboard Hot 100.
[4] The Boston Globe called Farover "a generally solid roots effort, even if it is not as intense as Burning Spear Live." [7] The Miami Herald deemed the album "typical of him—mostly philosophical tunes like 'O'Jah' and the title song that are bouncy and soothing at best." [8] Trouser Press praised the "haunting vocals and trance-inducing ...