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They had wooden panels which were painted in lacquer (Lack-Schilderuhr). At the end of the 18th century, Jacob Herbstreith manufactured small wall clocks with plates in porcelain or brass (Jockele-Uhr). At the beginning of the 19th century, the Sorgs, a clockmaker family, produced a very small wall clock (Sorg-Uhr). [2] [3]
Art Deco Mantel Clock from Amboina Wood around 1930. Mantel clocks—or shelf clocks—are relatively small house clocks traditionally placed on the shelf, or mantel, above the fireplace. The form, first developed in France in the 1750s, can be distinguished from earlier chamber clocks of similar size due to a lack of carrying handles.
The term originated with small weight-driven pendulum clocks (sometimes called 'true bracket clocks') that had to be mounted on a bracket on the wall to allow room for their hanging weights. [2] When spring-driven clocks were developed, which didn't require hanging weights to power them, they continued to be made in the bracket style.
Clocks from Winterhalder & Hofmeier are mechanical precision clocks with the quality standards of Black Forest craftsmanship. [4] [5] The numbers of the dial face are in Roman numerals. The dial face is embraced by wood. [6] The clocks can be identified by the engraved W & H SCH initial letters. Most of the clocks were made from 1850 to 1933.
A wooden clock face with a white background and colourfully painted motif decorated the Black Forest clocks during the whole of the 19th century. With a colourless, protective varnish the clock faces were resistant to moisture and dirt. From the second half of the 18th century, the varnished plate clock (Lackschilduhr) dominated the European ...
Deciding to go into business for himself, Jerome began to make cases, trading them to Terry for wooden movements. In 1822 Jerome moved his business to Bristol, opening a small shop with his brother Noble, producing 30-hour and eight-day wooden clocks. The company installed the first circular saw ever seen in Bristol.
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