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"Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, [ 1 ] the song found greater popular acclaim through a new version recorded by John Cale in 1991.
The song is the subject of the 2012 book The Holy or the Broken by Alan Light and the 2022 documentary film Hallelujah: Leonard Cohen, A Journey, A Song by Dan Geller and Dayna Goldfine. [74] Janet Maslin 's New York Times book review said that Cohen spent years struggling with the song, which eventually became "one of the most haunting ...
But by far the most popular and famous use of hallelujah in popular music is Leonard Cohen’s haunting and frequently covered "Hallelujah," written in 1984. The song does not rely on biblical ...
In addition to Cohen himself, various people affiliated with Cohen or associated with the song appear in the film, including artistic collaborator Sharon Robinson, John Lissauer (who produced and arranged of the original version of the song), Larry "Ratso" Sloman (a longtime interviewer), music producer Clive Davis, Rufus Wainwright, Brandi Carlile, Regina Spektor, Amanda Palmer, Eric Church ...
The first part, hallu, is the second-person imperative masculine plural form of the Hebrew verb hillel. [8] The phrase "hallelujah" translates to "praise Jah/Yah", [2] [12] though it carries a deeper meaning as the word halel in Hebrew means a joyous praise in song, to boast in God. [13] [14]
Handel's first biographer, John Mainwaring, wrote in 1760 that this conclusion revealed the composer "rising still higher" than in "that vast effort of genius, the Hallelujah chorus". [129] Young writes that the "Amen" should, in the manner of Palestrina , "be delivered as though through the aisles and ambulatories of some great church".
"Glory, Glory" (also known as "When I Lay My Burden Down", "Since I Laid My Burden Down", "Glory, Glory, Hallelujah" and other titles) is an American spiritual song, which has been recorded by many artists in a variety of genres, including folk, country, blues, rock, and gospel.
"Everybody Knows" has been widely used in television and film. Allan Moyle's 1990 film Pump Up the Volume features the song prominently. A favorite of protagonist Mark Hunter (Christian Slater, as the operator of an FM pirate radio station), Cohen's song is played from an on-screen phonograph several times during Mark's clandestine broadcasts.