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Kiyoshi Awazu (Japanese: 粟津 潔, romanized: Awazu Kiyoshi, February 19, 1929 – April 28, 2009) was a Japanese graphic designer, active in the post-WWII era in the fields of poster design, architecture design, set design, filmmaking, and illustration. A self-taught artist, Awazu possessed an eclectic and variegated graphic style that ...
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Hasui Kawase (川瀬 巴水, Kawase Hasui, May 18, 1883 – November 7, 1957) was a Japanese artist who was one of 20th century Japan's most important and prolific printmakers. He was a prominent designer of the shin-hanga ("new prints") movement, whose artists depicted traditional subjects with a style influenced by yōga (Western-style painting).
Commode (commode à vantaux) in the Louis XVI style, made in France, using Japanese lacquer panels, c.1790, Metropolitan Museum of Art, New York City. During most of the Edo period (1603–1867), Japan was in a time of seclusion and only one international port remained active. [16]
Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different locations and in various seasons and weather conditions. The immediate success of the publication led to another ten prints ...
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
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