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The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only a banjo or guitar. Regional styles of country blues varied widely in the early 20th century.
Clifford "Grandpappy" Gibson (April 17, 1901 – December 21, 1963) [1] was an American blues singer and guitarist. He is best known for the tracks, "Bad Luck Dice" and "Hard Headed Blues". [1] Born in Louisville, Kentucky, United States, [1] he moved to St. Louis, Missouri, in the 1920s and lived there for the rest of his life. [2]
Chicago blues is based on the sound of the electric guitar and the harmonica, with the harmonica played through a PA system or guitar amplifier, both heavily amplified and often to the point of distortion, and a rhythm section of drums and bass (double bass at first, and later electric bass guitar) with piano depending on the song or performer ...
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. [1] It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel.
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues . Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, [1] sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, [1] and is used from time to time in modern American blues and blues rock.
In the 1910s and 1920s Tin Pan Alley published pop songs and dance numbers created in newly popular jazz and blues styles. Tin Pan Alley also acted as another approach to modernism . This can be seen in the use of certain influences such as, "a vernacular African-American impact coming from ragtime, 'coon' songs, the blues and jazz", as well as ...