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The typeface San Francisco replicated the ransom note effect.. In typography, the ransom note effect is the result of using an excessive number of juxtaposed typefaces.It takes its name from the appearance of a stereotypical ransom note or poison pen letter, with the message formed from words or letters cut randomly from a magazine or a newspaper in order to avoid using recognizable handwriting.
Permanent Headline is a bold, highly compressed sans-serif typeface in the neo-grotesque style. It was designed by Karlgeorg Hoefer for the type foundry Ludwig & Mayer in Frankfurt am Main . [ 1 ] It was released from 1964 and later issued by a range of companies in phototypesetting and digital versions.
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Some fonts intended for typesetting multiple writing systems use Times New Roman as a model for Latin-alphabet glyphs: Bitstream Cyberbit is a roman-only font released by Bitstream with an expanded character range intended to cover a large proportion of Unicode for scholarly use, with European alphabets based on Times New Roman.
The headline is the text indicating the content or nature of the article below it, typically by providing a form of brief summary of its contents. The large type front page headline did not come into use until the late 19th century when increased competition between newspapers led to the use of attention-getting headlines.
Miller is a serif typeface, released in 1997 by the Font Bureau, a U.S.-based digital type foundry. [1] It was designed by Matthew Carter and is of the 'transitional' style from around 1800, based on the "Scotch Roman" type which originates from types sold by Scottish type foundries that later became popular in the United States.
At the same time, the transition to digital type and font editors which can be inexpensive (or even open source and free) has led to a great democratization of type design; the craft is accessible to anyone with the interest to pursue it, nevertheless, it may take a very long time for the serious artist to master.
The face is intended for headlines and display use rather than body text. [1] As a display design, it was not released with an italic or bold weight. During the 1960s, there was a trend towards condensed, bold, "industrial" sans-serifs like Schmalfette Grotesk and Compacta , largely pioneered by West German magazine Twen , [ 1 ] and Impact was ...