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The grammarian Dionysius Thrax used the Ancient Greek word ὑγρός (hygrós, transl. moist) to describe the sonorant consonants (/l, r, m, n/) of classical Greek. [1] [2] It is assumed that the term referred to their changing or inconsistent (or "fluid") effect on meter in classical Greek verse when they occur as the second member of a consonant cluster (see below).
All of them had syllabic allophones, transcribed *r̥, *l̥, *m̥, *n̥, *i, *u, which generally were used between consonants, word-initially before a consonant, or word-finally after a consonant. Even though *i and *u were certainly phonetic vowels, they behave phonologically as syllabic sonorants.
Stress is a prominent feature of the English language, both at the level of the word (lexical stress) and at the level of the phrase or sentence (prosodic stress).Absence of stress on a syllable, or on a word in some cases, is frequently associated in English with vowel reduction – many such syllables are pronounced with a centralized vowel or with certain other vowels that are described as ...
This voicing of /f/ is a relic of Old English, at a time when the unvoiced consonants between voiced vowels were 'colored' by an allophonic voicing rule /f/ → [v]. As the language became more analytic and less inflectional, final vowels or syllables stopped being pronounced.
It was therefore a form of consonant–vowel harmony in which the property 'palatal' or 'non-palatal' applied to an entire syllable at once rather than to each sound individually. The result was that back vowels were fronted after j or a palatal consonant, and consonants were palatalised before j or a front vowel. Diphthongs were harmonized as ...
In addition, four "final" consonants had no syllabic forms: -h, -l, -r, and the sequence -hk. These were originally written midline, but are now superscripted. (The glyph for -hk represents the most common final sequence of the language, being a common grammatical ending in Cree, and was used for common -nk in Ojibwe.)
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