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A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music.
A bass horn, such as a tuba, serpent, and sousaphone from the wind family and low-tuned versions of specific types of brass and woodwind instruments, such as bassoon, bass clarinet, bass trombone, and bass saxophone, the last of which was the first saxophone invented by Adolphe Sax. [6]
That stated Bass saxophone may not be their primary instrument. Subcategories. This category has only the following subcategory. ...
The saxophones in Sax's 1846 patent are only folded a maximum of three times, which necessarily requires the lower saxophones (from the baritone downwards) to be progressively taller. The contrabass saxophone follows this pattern, bending upwards at the mouthpiece neck, then bending 180° at the top, and 180° again at the base of the ...
Given its short history and rarity, little has been specifically written for the tubax, but it can readily be used for any material intended for bass or contrabass saxophone. The tubax, like the saxophone, is a transposing instrument notated in treble clef. The E♭ and B♭ models have identical ranges to the contrabass and subcontrabass ...
Vince Giordano (born March 11, 1952) is an American saxophonist and leader of the New York-based Nighthawks Orchestra.He specializes in jazz of the 1920s and 1930s and his primary instrument is the bass saxophone. [1]
Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
The over-the-shoulder variety of the instrument was used, as the backward-pointing bell of the instrument allowed troops marching behind the band to hear the music. Contemporary works featuring this instrument are Désiré Dondeyne 's Tubissimo for bass tuba or saxhorn and piano (1983), Olivier Messiaen 's Et exspecto resurrectionem mortuorum ...
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