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Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
The visual weight and the balance of a figure inserted in an image can be determined using the lightness of the figure, the lightness of the ground and their sizes and positions interactions in the composition visual. We establish that an image is totally balanced when the resultant force is located in the geometric center of the image.
In complex scenes, "mini-master shots" may be created instead. Coverage is then used to create other shots of the scene. Overlapping method: Also called the "triple-take method", the camera shoots initial action in the scene (usually a wide shot), and then the action is paused or repeated to allow a different camera angle and lighting set-up ...
For example, a work of art is said to be aesthetically pleasing to the eye if the elements within the work are arranged in a balanced compositional way. [10] However, there are artists such as Salvador Dalí who aim to disrupt traditional composition and challenge the viewer to rethink balance and design elements within art works.
There are several examples in film history where image was even more than just a key element of film (i.e. pre WWII avant-garde films, Italian neorealism, film noir, etc.). However, today, in most narrative films (Fictional film) we try to hide pictorial elements from audience and mask them behind the story. [2]
Photo interpretation at the U.S. National Photographic Interpretation Center during the Cuban Missile Crisis.. Aerial photographic and satellite image interpretation, or just image interpretation when in context, is the act of examining photographic images, particularly airborne and spaceborne, to identify objects and judging their significance. [1]
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Mise-en-scène (French pronunciation: [miz ɑ̃ sɛn] ⓘ; English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, [1] both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions.