Search results
Results from the WOW.Com Content Network
Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
The fourth movement is a “binary variant of sonata form in which the opening eight measures of the exposition do not return in the recapitulation. [10] The beginning theme does return (m. 41) before the recapitulation, but as the theme is now in dominant, it cannot be considered part of the recapitulation.
A famous example is the first movement of the Death and the Maiden Quartet in D minor, in which the exposition moves to F major and then A minor (translated to D major and minor respectively in the recapitulation), a formula that is repeated in the final movement; another is the Violin Sonata in A major (in which the second theme appears in G ...
Mozart sometimes used a variant type of sonata rondo form in which the first "A" section of the recapitulation is omitted. Thus: [A B' A] exp [C"] dev [B A] recap Mozart's purpose was perhaps to create a sense of variety by not having the main theme return at such regular intervals.
Sonata Theory, in contrast, reserves the term "recapitulation" for instances in which the beginning of a rotation coincides with the return of the tonic key. Thus, the arrival of S in the middle of a Type 2 second rotation functions as a "tonal resolution" but not as the beginning of a recapitulation, because it does not initiate a new rotation.
The first movement, in D major and 4 4 time, is written in sonata allegro form, with the notable deviation of the recapitulation being the mirror image of the exposition . That is, the recapitulation starts with the second theme , and Mozart waits until the very end to unveil the return of the first theme.
In the first movement of the Fourth Symphony, he introduces a highly rhythmic theme in the brass. The structure of this movement is made up of a complete series of rotating thirds, from F to A ♭, B D and back to F, then a recapitulation to a third below the tonic. The brass theme delineates each stage of the structure.