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"Beautiful in My Eyes" is a song by American singer-songwriter Joshua Kadison. It was released in February 1994 as the second single from his 1993 debut album, Painted Desert Serenade, surpassing the performance of his debut single and breakout hit "Jessie", reaching No. 19 on the US Billboard Hot 100 and charting in four other countries, including Australia, where it peaked at No. 5.
Joshua Kadison (born February 8, 1963) is an American singer-songwriter, pianist, and writer, who was born in Los Angeles, California.He is perhaps best known for the top 40 hits "Jessie" and "Beautiful in My Eyes" from his debut album Painted Desert Serenade.
Painted Desert Serenade is the debut studio album by American pianist/singer-songwriter Joshua Kadison, released in 1993 on SBK (a subsidiary of Capitol Records).It features two singles, both of which reached the top 30 on the US Billboard Hot 100: "Jessie" peaked at number 26, while "Beautiful in My Eyes" reached number 19 in 1994.
"In My Eyes" (Lionel Cartwright song), a 1989 single by American country music singer Lionel Cartwright; In My Eyes (band), an American straight edge band named after the Minor Threat song "In My Eyes", a 2013 song by The Afters from the album Life is Beautiful "In My Eyes", a 1999 single by Belgian vocal trance band Milk Inc.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
This article is within the scope of WikiProject Songs, a collaborative effort to improve the coverage of songs on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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