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Iraiyanar Akapporul is concerned with setting out the literary conventions that govern Tamil love poetry of the akam tradition. The conventions, as such, are taken from the poetics of the Sangam period. Thus a poem is a poetical snapshot of one instant in a relationship. This snapshot provides a glimpse into the lives of the couple which is in ...
Saavin Mutham (meaning "kiss of death") and Thenmazhai (meaning "rain of honey") were among his notable works. He also ran a weekly Kaavyam, entirely dedicated to poetry. He was also a lyricist and a dialogue writer for more than 100 Tamil films and songs such as Amuthum thenum ethatku. [2]
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.
The Purananuru (Tamil: புறநானூறு, Puṟanāṉūṟu, literally "four hundred [poems] in the genre puram"), sometimes called Puram or Purappattu, is a classical Tamil poetic work and traditionally the last of the Eight Anthologies (Ettuthokai) in the Sangam literature. [1]
Akam (Tamil: அகம், akam) is one of two genres of Classical Tamil poetry that concerns with the subject of love, the other concerns the subject of war. It can also be translated as love and heroism. It is further subdivided into the five thinai. The type of love was divided into seven ranging from unrequited love to mismatched love.
Man size sculpture of Sri Rama in Srivaikuntanathan Perumal temple located in Tamil Nadu.. The Akananuru (Tamil: அகநானூறு, Akanāṉūṟu, literally "four hundred [poems] in the akam genre"), sometimes called Nedunthokai (lit. "anthology of long poems"), is a classical Tamil poetic work and one of the Eight Anthologies (Ettuthokai) in the Sangam literature. [1]
Kamil Zvelebil, a Tamil literature and history scholar, states that the majority of the poems in the Kuruntokai were likely composed between the 1st century BCE and the 2nd century CE. [5] The Kuruntokai manuscript colophon states that it was compiled by Purikko (உரை), however nothing is known about this compiler or the patron.
Five of these ten ancient poems are lyrical, narrative bardic guides (arruppatai) by which poets directed other bards to the patrons of arts such as kings and chieftains. [4] The others are guides to religious devotion (Murugan) and to major towns, sometimes mixed with akam- or puram-genre poetry.