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The women of Amphissa, seeing that the Phocians were in the camp of the allies and seeing the presence of many soldiers of the usurpers, fearing that the maeneds would be violated, all ran to the market, surrounded the sleeping women silently without questioning them, rendered them all the care possible and brought them food.
Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party.
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In Greek mythology, Amphissa (Ancient Greek: Ἄμφισσα) or simply, Issa (/ˈiːsɑː/; Ἴσσα) was the daughter of Macareus and a lover of Apollo. She was the eponym of the city Amphissa in Ozolian Locris , [ 1 ] [ 2 ] where her memory was perpetuated by a splendid monument.
Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871. Laura, under her married name, also won a high reputation as an artist, and appears in numerous of Alma-Tadema's canvases after their marriage (The Women of Amphissa (1887) being a notable example). This second marriage ...
Anna Alma-Tadema was described by biographer Helen Zimmern as a "delicate, dainty artist who has inherited so much of her father's power for reproducing detail." [6] During her time as an artist, Anna Alma-Tadema created several portraits, representations of flowers, [7] as well as watercolor depictions of house interiors and buildings. [8]
The painting measures 66 by 122 centimetres (26 in × 48 in). It depicts a concert in the late 7th century BC, with the poet Alcaeus of Mytilene playing the kithara.In the audience is fellow Lesbos poet Sappho, accompanied by several of her female friends.