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Visual arts of Chicago refers to paintings, prints, illustrations, textile art, sculpture, ceramics and other visual artworks produced in Chicago or by people with a connection to Chicago. Since World War II , Chicago visual art has had a strong individualistic streak, little influenced by outside fashions.
Avoid "an 1876 painting", use a "painting of 1876" or "his nude Jimbo Wales (1876)" etc.; "from 1876" is best avoided, except in a discussion of a chronological development of style or similar passage. This partly a matter of US/UK style: "an 1876 painting" is more acceptable in American English, but will rarely be found in American academic ...
Traditional art history has also placed great emphasis on the individual style, sometimes called the signature style, [28] of an artist: "the notion of personal style—that individuality can be uniquely expressed not only in the way an artist draws, but also in the stylistic quirks of an author's writing (for instance)— is perhaps an axiom ...
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines, such as performing arts , conceptual art , and textile arts , also involve aspects of the visual arts, as well as arts of other types.
Picture Theory: Essays on Verbal and Visual Representation. Chicago: U of Chicago P, 1994. ISBN 978-0-226-53232-5; Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1986. pbk. ISBN 978-0-226-53229-5; Against Theory: Literary Studies and the New Pragmatism. Chicago: U of Chicago P, 1985. pbk. ISBN 978-0-226-53227-1; The Politics of ...
The Public Art Style Guide has been designed specifically to help you create and edit articles about public art. This guide is best used in conjunction with the Public Art New Article Guide. Please use the table of contents to navigate directly to specific sections of the Style Guide.
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William Conger (born 1937) is a Chicago-based, American painter and educator, known for a dynamic, subjective style of abstraction descended from Kandinsky, which consciously employs illogical, illusionistic space and light and ambiguous forms that evoke metaphorical associations.
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