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Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's Cardillac (1926). Earlier small-scale operas such as Pergolesi's La serva padrona (1733) are sometimes known as chamber operas. [1]
Manifest Destiny (opera) Manifest Destiny 2011; MARA: A Chamber Opera on Good and Evil; Martin's Lie; The Martyrdom of St Magnus; Missing (opera) Monsters of Grace; MR (Marina and Rainer) Mr Emmet Takes a Walk
Allison, John (ed.), Great Opera Houses of the World, supplement to Opera magazine, London 2003; Beauvert, Thierry, Opera Houses of the World, The Vendôme Press, New York, 1995. ISBN 0-86565-978-8; Lynn, Karyl Charna, Opera: the Guide to Western Europe's Great Houses, Santa Fe, New Mexico: John Muir Publications, 1991. ISBN 0-945465-81-5
[This list includes 0 (no) Symphony Orchestras in Germany, Austria, and the other countries that have the most symphony orchestras, and has therefore been prepared by people who are ignorant of the great tradition of Western classical Music and so ought to be totally revised or else removed altogether, since it currently insults that entire tradition.]
The Children's Bach, Op. 74, is a chamber opera by the Australian composer Andrew Schultz to a libretto by Glenn Perry, based on the 1984 novella of the same name by Helen Garner.
MĀRA: A Chamber Opera on Good and Evil is an American chamber opera in two acts composed by Sherry Woods to a libretto by Stephen Batchelor. [1] The opera humanizes the story of Siddhattha Gotama (the Buddha) and his encounters with Māra, Taṇhā (Māra's daughter), and the demonic figures that appear to him as he seeks a way to live an awakened life in the world.
C. Cadaqués Orchestra; Calcutta Chamber Orchestra; Camerata Bariloche; Camerata Bern; Camerata Chicago; Camerata Ireland; Camerata Klaipėda; Camerata Nordica
Kammeroper München (Munich Chamber Opera) is an independent ensemble for chamber operas in Munich. The troupe was founded by Christiane Steffens, Christophe Gördes and Carlos Dominguez-Nieto. They have played regularly at the Hubertussaal of Schloss Nymphenburg from 2008, but also use different venues including the Cuvilliés-Theater.