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"Writer in the Dark" was co-written and co-produced by Lorde (credited under her birth-name Ella Yelich-O'Connor) and Jack Antonoff. It was recorded at Electric Lady Studios in Greenwich Village, New York City. [3] The song is composed in the key of G major with a walking pace tempo of 72 beats per minute while Lorde's vocals span a range of D ...
"Dos Oruguitas" was the first song Miranda wrote completely in Spanish. This amount of Spanish was far outside his comfort zone. [3] [4] Miranda said, "It was important to me that I write it in Spanish, rather than write it in English and translate it, because you can always feel translation". [5]
Though the song was originally written in Spanish, famed Filipino author Guillermo Gómez Rivera is the only artist to record the song in Spanish under the title "Dulce Princesa" for his 1960 LP album Nostalgia Filipina. [1] A cover version by Dulce has been featured by the television drama anthology of the same name.
"Dancing in the Dark" is a song written and performed by American rock singer Bruce Springsteen. It was the first single released ahead from his 1984 album, Born in the U.S.A., and became his biggest hit, helping the album become the best-selling album of his career.
"The Saga of Jenny" is a popular song written for the 1941 Broadway musical Lady in the Dark, with music by Kurt Weill and lyrics by Ira Gershwin, considered now as a blues standard. The music is marked "Allegretto quasi andantino"; Gershwin describes it as "a sort of blues bordello". [1]
"Róisín Dubh" translates to "Black/Dark Rose" - referring to Róisín's dark hair colour. [1] "Róisín Dubh" (Irish: [ˈɾˠoːʃiːnʲ ˈd̪ˠʊw]; "Dark Rosaleen" or "Little Dark Rose") is one of Ireland's most famous political songs. It is based on an older love-lyric which referred to the poet's beloved rather than, as here, being a ...
Mas Canciones (correct form: Más canciones; [1] Spanish for "more songs") is an album by American singer/songwriter/producer Linda Ronstadt, released in late 1991.. A significant hit in the U.S. for a non-English language album, it peaked at number 88 on the Billboard album chart, and reached number 16 on the Top Latin Albums chart.
An instrumental version of the song was used for the background theme of the film Bordertown, starring Paul Muni and Bette Davis, in 1935. The next year the words and music were used in the Mexican film María Elena. [1] The Xavier Cugatʼs version is used in Wong Kar Wai film Days of Being Wild (1990), starring Leslie Cheung.